Monday, May 17, 2010

The History of Jewelry: Jewellery of Mesopotamia

Assyria and the Gold of Nimrud

Perhaps one the greatest surviving treasure-troves of ancient jewelry and artifacts is the so-called "Gold of Nimrud," or Nimroud, which was found in the tombs and throne-room of the Assyrian king Ashurnasirpal II at Nimrud. The Nimrud complex was situated to the south of the ancient Assyria capital of Nineveh (modern-day Mosul, Iraq), along the Tigris river. Although the ruins at Nimrud was discovered in 1848 by a British archeologist named by Sir Austen Henry Layard, the treasures that were hidden beneath the ruins lay undisturbed until 1988, when an Iraqi archaeologist named Muzahim Mahmud noticed that floor tiles within the ruins had been relaid at some point in the distant past.

In terms of their sheer volume and wealth, the treasure hoard at Nimrud has been compared to that of Egytian king Tutankhamen. Astonishingly, these treasures were also overlooked by the ancient Medes and Scythians, who had sacked the Nimrud palace in 612 BC.

In one tomb alone, there were over 450 items of gold and silver jewelry weighing around 22.5 kilograms! These included a single gold crown and diadem, 14 amulets, 79 earrings, 90 necklaces, 30 rings, and 15 gold or rock-crystal vessels. The Nimrud treasures were on display in the Assyrian galleries of the Iraqi Museum in Baghdad until 2003, when the museum was looted during the Iraq invasion. Some of the treasures were spirited off to wealthy collectors in Europe, but many of the items were hidden for safe keeping, and are now on display as part of the touring "Gold of Nimrud" exhibit [14, 15].

Many historians believe that the great Akkadian emperor Sargon of Akkad was the inspiration for the mythical figure Nimrod, who was a Mesopotamian monarch mentioned in the Book of Genesis. Nimrod, who's name is derived from the Hebrew word marad, meaning "rebel," was credited for constructing the "Tower of Babel" [16], which was an ancient ziggurat, or man-made "mountaintop" with a temple at its peak.

Babylonia

The city of Babylon was transformed into one of the "seven wonders of the ancient world" under the rule of King Nebuchadnezzar II (c. 630—562 BC) from the Chaldean Dynasty. The city became famous for the "Hanging Gardens of Babylon," shown in the speculative 16th century engraving by Dutch artist Martin Heemskerck (above, right). The city made for a tempting target, and in 539 BC, Babylon was conquered by the Achaemenid Empire under Cyrus the Great, who breached the city's fortified walls and its infamous Ishtar Gate. Under the Persian king Darius the Great, Babylon became the capital city of the 9th Satrapy of Persia.

The Mitanni

The Mitanni and Hurri were two of several minor kingdoms that were founded by the Indo-Iranians in Mesopotamia and Syria. These Indo-Iranian empires were centered in northern Mesopotamia, and flourished from about 1500 BC to 1360 BC. The Indo-Iranians were probably members of Aryan tribes that later settled in the Indus Valley, but they broke off and migrated to Mesopotamia where they settled among the Hurrian peoples becoming the ruling noble class, called the maryannu.

The Phoenicians

The Phœnician civilization was a maritime trading culture whose influence spread across the eastern Mediterranean between 1550 BC and 300 BC. The Phoenicians were based in Canaan, in the city-states of Tyre (modern-day Lebanon and Israel), and Sidon (modern-day Syria).

The name "Phœnicia" was derived from the Latin word punicus, and the Greek word phoînix, for the purple dyes they manufactured. They were particularly well known for their highly-prized Tyrian purple dye (aka: royal purple, imperial purple), and indigo dye (aka: royal blue or hyacinth purple), which were made from the glandular secretions of a predatory sea snail (gastropod) known as Haustellum brandaris (Murex brandaris).

Phoenician traders would deal in exotic gems and materials that were imported from Asia Minor and the Orient, via the Silk Road. The Phoenician culture was known for the art of granulation which they learned from the Etruscans. The Phoenicians were also known for their interesting glass beadwork motifs, sometimes taking the form of a simple mosaic, and sometimes taking the form of whimsical bearded seafarers. In fact, the Phoenicians may have been the first culture to develop the technique of glass core-forming. It was in this region that the technique of glass-blowing may have been invented during the 1st century BC.

courtesy:google

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